Digital collections
In February 1960, the recently founded Cineclub Irún (CCI) wrote to the San Sebastian Film Festival inviting the director of the time, Antonio de Zulueta y Besson, to contribute to the magazine published by the organisation on its monthly programme.
Zulueta answered with this letter in which he celebrates the existence and untiring work of the Gipuzkoan film clubs which, “facelessly and in complicated economic conditions”, work to exchange film knowledge and cultivate spectators. The letter is an important gesture of mutual recognition: the event guaranteed access to its screenings and publications to the organisers of numerous film clubs and cultural centres while in turn recognising the need to draw on the audiences educated throughout the year by these self-same film associations.
Promoted by Jorge Oteiza and Néstor Basterretxea, the Cineclub Irún was a fundamental pillar in the Basque cultural scene. A place of meeting and reflection for moviemakers, musicians, writers and artists including Rafael Ruiz Balerdi, Menchu Gal and Amable Arias, not to mention rewarding exchanges with other film clubs such as those of Errenteria, Pasajes and Azpeitia. It was also a socio-political space in view of the club’s cross-border location: a place from which to imagine the building of international networks at a time when freedom was greatly restricted.
Its educational aspect and its drawing power for a variety of aesthetic expressions laid the way to the creation of numerous events, programmes and seminars, such as the 1st Cinema Meeting for Children, the Competition for Amateur Filmmakers and the organisation in October 1961 of the 1st Art Week, one of the most ebullient collective experiences in the history of the film club, which brought to the table discussions on the today and tomorrow of contemporary Basque art.
Actress Gina Lollobrigida presenting the San Sebastian Award for Best Female Performance to the distributor Procinor for “A Woman Under the Influence” (1975) San Sebastian Festival Archive. [+]
The actress Josefa Flores González, better known as Marisol or Pepa Flores, at the Hotel María Cristina (1960) San Sebastian Festival Archive. [+]
Anne Bancroft at the Victoria Eugenia Theatre’s boxes entrance during the presentation of the film “The Miracle Worker” (Arthur Penn) (1962) San Sebastian Festival Archive. [+]
Letter from Nelly Kaplan to Francisco Ferrer on the invitation to the festival (1962) San Sebastian Festival Archive. [+]
Regulations of the II Cartago International Film Festival (1968) San Sebastian Festival Archive. [+]
Letter from Josefina Molina to the Festival organisers (1978) San Sebastian Festival Archive [+]
Letter from Diego Galán to film director Jafar Panahi (1998) San Sebastian Festival Archive. [+]
Program for the 11th edition of the Festival International de Films de Femmes de Créteil et du Val de Marne (1989) San Sebastian Festival Archive. [+]
Letter from Wolf Kochmann to Pilar Olascoaga on the death of Bette Davis (1989) San Sebastian Festival Archive. [+]
Letter from Luis Buñuel to the Mayor of San Sebastián Antonio Vega de Seoane (1960) San Sebastian Festival Archive. [+]
Letter from underground filmmaker Antoni Padrós to Pilar Olascoaga (1977) San Sebastian Festival Archive. [+]
Letter from Alfredo Guevara, Vice Minister of the Ministry of Culture of Cuba and founder of ICAIC, to Luis Gasca, Secretary General of the Festival (1977) San Sebastian Festival Archive [+]
HLetter sent by VALIE EXPORT to Festival Director Miguel de Echarri (1977) San Sebastian Festival Archive [+]
Handwritten letter from Jean Cocteau to Antonio de Zulueta y Besson (1959) San Sebastian Festival Archive [+]