{"id":46165,"date":"2022-11-14T15:50:58","date_gmt":"2022-11-14T15:50:58","guid":{"rendered":"https:\/\/artxiboa.sansebastianfestival.com\/investigaciones\/un-cuaquero-hippy-en-el-zinemaldia-el-ciclo-new-american-cinema-1968-en-el-punto-de-mira-franquista\/"},"modified":"2022-12-13T09:30:13","modified_gmt":"2022-12-13T09:30:13","slug":"kuakero-hippy-bat-zinemaldian-new-american-cinema-zikloa-1968-frankisten-jomugan","status":"publish","type":"investigaciones","link":"https:\/\/artxiboa.sansebastianfestival.com\/eu\/ikerketak\/kuakero-hippy-bat-zinemaldian-new-american-cinema-zikloa-1968-frankisten-jomugan\/","title":{"rendered":"\u00abKuakero hippy\u00bb bat Zinemaldian<br>New American Cinema zikloa (1968) frankisten jomugan."},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"46165\" class=\"elementor elementor-46165 elementor-380\" data-elementor-post-type=\"investigaciones\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b06fa80 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"b06fa80\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2c06e46\" data-id=\"2c06e46\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-290a8b7 elementor-widget elementor-widget-template\" data-id=\"290a8b7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"template.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-template\">\n\t\t\t\t\t<div data-elementor-type=\"section\" data-elementor-id=\"45818\" class=\"elementor elementor-45818 elementor-45751 elementor-45751\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-5eff0f1 jedv-enabled--yes elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5eff0f1\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-d72aadd alinkV\" data-id=\"d72aadd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-848a9ca elementor-widget__width-auto elementor-widget elementor-widget-heading\" data-id=\"848a9ca\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/artxiboa.sansebastianfestival.com\/eu\/\">Artxiboa<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b9d3e41 elementor-widget__width-auto elementor-widget elementor-widget-html\" data-id=\"b9d3e41\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-breadcrumbs__item\"><div class=\"jet-breadcrumbs__item-sep\"><span class=\"jet-blocks-icon\"><i aria-hidden=\"true\" class=\"fas fa-angle-right\"><\/i><\/span><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8d2d889 elementor-widget__width-auto elementor-widget elementor-widget-heading\" data-id=\"8d2d889\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/artxiboa.sansebastianfestival.com\/eu\/ikerketak\/\">Ikerketak<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ef147c9 elementor-widget__width-auto elementor-widget elementor-widget-html\" data-id=\"ef147c9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-breadcrumbs__item\"><div class=\"jet-breadcrumbs__item-sep\"><span class=\"jet-blocks-icon\"><i aria-hidden=\"true\" class=\"fas fa-angle-right\"><\/i><\/span><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bce2e6a elementor-widget__width-auto elementor-widget elementor-widget-heading\" data-id=\"bce2e6a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/artxiboa.sansebastianfestival.com\/eu\/ikerketak\/#inves01\">Historiak<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-64c93b8 elementor-widget__width-auto elementor-widget elementor-widget-html\" data-id=\"64c93b8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-breadcrumbs__item\"><div class=\"jet-breadcrumbs__item-sep\"><span class=\"jet-blocks-icon\"><i aria-hidden=\"true\" class=\"fas fa-angle-right\"><\/i><\/span><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c262422 elementor-widget elementor-widget-jet-listing-dynamic-field\" data-id=\"c262422\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"jet-listing-dynamic-field.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing-dynamic-field__content\" >\u00abKuakero hippy\u00bb bat Zinemaldian<br>New American Cinema zikloa (1968) frankisten jomugan.<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-de9bfcc jedv-enabled--yes elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"de9bfcc\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-afecfdd\" data-id=\"afecfdd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-191ccf9 elementor-widget__width-auto elementor-widget elementor-widget-jet-listing-dynamic-field\" data-id=\"191ccf9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"jet-listing-dynamic-field.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing-dynamic-field__content\" >Historiak, 6&nbsp;<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-54d5997 elementor-widget__width-auto elementor-widget elementor-widget-jet-listing-dynamic-field\" data-id=\"54d5997\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"jet-listing-dynamic-field.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing-dynamic-field__content\" >(2022)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-32676e4 alinkV elementor-widget elementor-widget-jet-listing-dynamic-terms\" data-id=\"32676e4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"jet-listing-dynamic-terms.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"jet-listing jet-listing-dynamic-terms\"><a href=\"https:\/\/artxiboa.sansebastianfestival.com\/eu\/sinadurak\/diego-ginartes\/\" class=\"jet-listing-dynamic-terms__link\">Diego Ginartes<\/a><span class=\"jet-listing-dynamic-terms__delimiter\">,<\/span> <a href=\"https:\/\/artxiboa.sansebastianfestival.com\/eu\/sinadurak\/irati-crespo\/\" class=\"jet-listing-dynamic-terms__link\">Irati Crespo<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-9eccdb1\" data-id=\"9eccdb1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d1a41a3 elementor-invisible elementor-widget elementor-widget-image\" data-id=\"d1a41a3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/12\/06_Cuaquero.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Informazio eta Turismo Ministerioaren Gipuzkoako Lurralde Ordezkaritzak igorritako aduana txostena (1968ko uztailaren 26a)\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxNjIsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzEyXC8wNl9DdWFxdWVyby5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"442\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/12\/06_Cuaquero-1024x566.jpg\" class=\"attachment-large size-large wp-image-46162\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/12\/06_Cuaquero-1024x566.jpg 1024w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/12\/06_Cuaquero-300x166.jpg 300w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/12\/06_Cuaquero-768x425.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/12\/06_Cuaquero-1536x850.jpg 1536w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/12\/06_Cuaquero-2048x1133.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Informazio eta Turismo Ministerioaren Gipuzkoako Lurralde Ordezkaritzak igorritako aduana txostena (1968ko uztailaren 26a)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c93515f elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"c93515f\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a44b91e\" data-id=\"a44b91e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7725c19 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"7725c19\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b99da7a alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b99da7a\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-156b2cf\" data-id=\"156b2cf\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3039c7b elementor-widget elementor-widget-text-editor\" data-id=\"3039c7b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<blockquote>\n<p>Garc\u00eda Escuderoren zentsurak, Arias Salgado ministro izan zenekoa baino toleranteagoa izan bazen ere, hemendik eta handik mozten jarraitu zuen. Hala ere, film debekatu batek film mutilatu batek baino balio handiagoa zuela aldarrikatu zuen.<a id=\"_ftnref1\" class=\"nota\" href=\"#_ftn1\"><sup>[1]<\/sup><\/a><\/p>\n<\/blockquote>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4bd00d2 elementor-widget elementor-widget-text-editor\" data-id=\"4bd00d2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>Rom\u00e1n Gubernek eta Dom\u00e9nec Fontek zentsurari buruzko beren azterketa klasikoan adierazten duten bezala, Jos\u00e9 Mar\u00eda Garc\u00eda Escuderoren (Zinematografiako zuzendari nagusia 1962 eta 1969 artean) zentsura-tolerantzia paradoxikoa zen. 1960ko hamarkadaren amaieran, erregimen frankistak, bere fase desarrollistan bete-betean murgilduta, irekiera faltsuko leiho txikiak \u00abahalbidetu\u00bb zituen. Gubernek berak, beste testuinguru batean, \u00aboposizio kontrolatu\u00bb esan zion horri; hots, kritika babestua ahalbidetzea, batez ere modernitate-irudia proiektatzeko kanpora. Barrualdera, baina, zentsurak jarraitzen zuen.<a id=\"_ftnref2\" class=\"nota\" href=\"#_ftn2\"><sup>[2]<\/sup><\/a>\u00a0Tarte posibilista txiki horiek, erakusketaren praktikaren barruan, 1967an<a id=\"_ftnref3\" class=\"nota\" href=\"#_ftn3\"><sup>[3]<\/sup><\/a>\u00a0Arte eta Saiakera aretoak sortzean eta Donostia Zinemaldiari eman zitzaion nolabaiteko irekieran gauzatu ziren.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-153eaa2 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"153eaa2\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c13c17f\" data-id=\"c13c17f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-304f6fd elementor-widget elementor-widget-image\" data-id=\"304f6fd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/artxiboa_img_30665.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"16. edizioaren kartel ofiziala\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTE1NCwidXJsIjoiaHR0cHM6XC9cL2FydHhpYm9hLnNhbnNlYmFzdGlhbmZlc3RpdmFsLmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMlwvMTFcL2FydHhpYm9hX2ltZ18zMDY2NS5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"721\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/artxiboa_img_30665-721x1024.jpg\" class=\"attachment-large size-large wp-image-5154\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/artxiboa_img_30665-721x1024.jpg 721w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/artxiboa_img_30665-211x300.jpg 211w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/artxiboa_img_30665-768x1091.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/artxiboa_img_30665.jpg 1000w\" sizes=\"(max-width: 721px) 100vw, 721px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">16. edizioaren kartel ofiziala<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-863ade7 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"863ade7\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-415cec6\" data-id=\"415cec6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-75a9b6a elementor-widget elementor-widget-text-editor\" data-id=\"75a9b6a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>1968an, Donostia Zinemaldiaren hamaseigarren edizioan, hainbat gertakari garrantzitsu gertatu ziren \u2013horiek ez ziren nola ere gertatuko erregimenak lortu nahi zuen irekitasun faltsua gabe\u2013: batetik, Nestor Basterretxearen eta Fernando Larruquerten\u00a0<em>Ama Lur<\/em>\u00a0euskal filmaren nazioarteko estreinaldia, eta, bestetik, AEBtako abangoardiako zinemari eskainitako filmen ziklo bat, New American Cinema, Atzerabegirakoa sailean programatua.<\/p>\n\n<p>1968a iraultzailea eta mugitua izan zen politikoki: Canneseko zinema-jaialdia bertan behera gelditu zen maiatzaren 13an, unibertsitate-ikasleek eta zinemagileek parte hartu zuten greben ondoriozko presioek eraginda. Europan, matxinada beste zinema-jaialdi handi batzuetara ere iritsi zen, eta liskar handiak izan ziren, tartean, Pesaron eta Venezian (Italian) eta Knokke-Le Zouten (Belgikan). Hortik ere igaro zen New American Cinema programa ibiltaria. 1968ko borrokek nazioarteko beste jaialdi batzuk astintzen zituzten bitartean, Espainiako panoraman, erregimenaren diskurtso ofizialak, komunikabideek eta lehiaketaren antolakuntzak berak bermatua, Donostia Zinemaldi bare baten irudia saldu zuen.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a7a4c63 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a7a4c63\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-ccddf6f\" data-id=\"ccddf6f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6ff4e55 elementor-widget elementor-widget-image\" data-id=\"6ff4e55\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Mr. Belvedere, &quot;Un final conformista para un Festival apacible&quot;, Fotogramas (1968ko uztailaren 26a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYwOTUsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDAyLmpwZyJ9\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002-744x1024.jpg\" class=\"attachment-large size-large wp-image-46095\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002-744x1024.jpg 744w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002-218x300.jpg 218w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002-768x1057.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002-1116x1536.jpg 1116w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002-1487x2048.jpg 1487w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_002.jpg 1698w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Mr. Belvedere, \"Un final conformista para un Festival apacible\", Fotogramas (1968ko uztailaren 26a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-27ba194\" data-id=\"27ba194\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9f139c3 elementor-widget elementor-widget-image\" data-id=\"9f139c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Salvador Corber\u00f3, &quot;Las aguas tranquilas del Festival no han sido movidas por los vientos rusos o suecos&quot;, Diario de Barcelona (1968ko uztailaren 8a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYwOTgsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDAzLXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-683x1024.jpg\" class=\"attachment-large size-large wp-image-46098\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-683x1024.jpg 683w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-200x300.jpg 200w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-768x1151.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-1025x1536.jpg 1025w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-1367x2048.jpg 1367w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_003-scaled.jpg 1709w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Salvador Corber\u00f3, \"Las aguas tranquilas del Festival no han sido movidas por los vientos rusos o suecos\", Diario de Barcelona (1968ko uztailaren 8a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1bd3f99\" data-id=\"1bd3f99\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b9cf574 elementor-widget elementor-widget-image\" data-id=\"b9cf574\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Pascual Cebollada, &quot;San Sebasti\u00e1n: un Festival de cine en paz&quot;, Peri\u00f3dico Ya (1968ko uztailaren 7a). P.1968.MAD.S-Y prentsa txostena, Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMDEsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDA0LXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"645\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-645x1024.jpg\" class=\"attachment-large size-large wp-image-46101\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-645x1024.jpg 645w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-189x300.jpg 189w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-768x1220.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-967x1536.jpg 967w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-1289x2048.jpg 1289w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_004-scaled.jpg 1611w\" sizes=\"(max-width: 645px) 100vw, 645px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Pascual Cebollada, \"San Sebasti\u00e1n: un Festival de cine en paz\", Peri\u00f3dico Ya (1968ko uztailaren 7a). P.1968.MAD.S-Y prentsa txostena, Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d829d04 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d829d04\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4c27fad\" data-id=\"4c27fad\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-adc2bf0 elementor-widget elementor-widget-text-editor\" data-id=\"adc2bf0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>Hala ere, normaltasun-irudi lasaiaren atzean, kontakizun ofizialarekin bat ez zetozen hainbat gertakari izan ziren. Estatu frankistaren zentsura arruntak ezarritako aldaketak jasan ondoren, lehiaketatik kanpo Sail Ofizialean eman zen\u00a0<em>Ama Lur<\/em>\u00a0film dokumentala. Euskal folklorea irudietan islatzen saiatu zen, espainiar nazionalisten inposaketa handiko testuinguru batean.\u00a0Era berean, adierazgarria da kanpoko hedabideek bakarrik\u00a0<em>La Dep\u00eache du Midi<\/em>\u00a0edo\u00a0<em>Corriere della Sera<\/em>) eman zutela Victoria Eugenia antzokiaren ateetan,\u00a0<em>The Legend of Lylah Clare\u00a0<\/em>(Robert Aldrich, 1968) film estatubatuarra eman eta gero, egon ziren protesten berri. Zenbait euskal gaztek Vietnamen aldeko panfletoak jaurti zituzten \u00abYankees go home\u00bb oihukatzen zuten bitartean.\u00a0<\/p>\n\n<p>Ustezko lasaitasunaren erdian, beste pitzadura bat sortu zen, eta, nolabait, Garc\u00eda Escuderoren goiburua irudikatu zuen; alegia, film debekatu bat film mutilatu bat baino gehiago balio zuela: New American Cinemari eskainitako atzerabegirakoaren gaineko zentsura.<\/p>\n\n<p>Paul Adams Sitney estatubatuarrak 24 urte zituen orduan. Jonas eta Adolfas Mekas anaiek sortutako\u00a0<em>Film Culture<\/em>zinema esperimentalean espezializatutako aldizkariko erredaktorea eta kritikaria zen, eta New American Cinemako programa ibiltariaren komisario eta asmatzailea.\u00a0<\/p>\n\n<p>Europan zehar egin zuen bigarren bidaian \u2013zikloarekin lehen bira bat egin zuen jada 1963 eta 1964 urteen artean\u2013, programa Donostia Zinemaldiaren hamaseigarren edizioaren barruan ematea adostu zuen. Han bertan amaituko zuen bigarren bira europarra Estatu Batuetara betiko bueltatu baino lehen.<\/p>\n\n<p>Abangoardia amerikarreko zinema berriaren ordezkarien eta Donostia Zinemaldiaren arteko lotura Hautaketa Batzordeko kide bat izan zen: Jos\u00e9 L\u00f3pez Clemente. Bere esperientzia-kontakizunak,\u00a0<em>Festival<\/em>\u00a0aldizkarian \u00abNuevo Cine Americano\u00bb (1968ko uztailaren 12an argitaratua) izenburuko artikulu gisa hilezkortua, atzera begirako programa kontzeptualizatzeko lotura zuzenak berresten ditu.\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e718015 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e718015\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6f82525\" data-id=\"6f82525\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-baf383c elementor-widget elementor-widget-html\" data-id=\"baf383c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe style=\"width: 100%; height: 480px;\" src=\"https:\/\/online.fliphtml5.com\/kspxf\/odql\/#p=10\" frameborder=\"0\" scrolling=\"no\" seamless=\"seamless\" allowfullscreen=\"allowfullscreen\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4239f8a elementor-widget elementor-widget-text-editor\" data-id=\"4239f8a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\tEgunkaria, 1968ko uztailaren 12a &#8211; Zk.: 7, or. 10\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-60d2750 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"60d2750\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9929f1a\" data-id=\"9929f1a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-364b0c0 elementor-widget elementor-widget-text-editor\" data-id=\"364b0c0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>L\u00f3pez Clemente pertsonaia anbiguoa izan zen. Erregimenaren egituretan instalatua zegoen (NO-DO frankismoaren albistegi ofizialeko dokumentalen saileko arduraduna zen), baina ezkerreko joera politikoa izan zuen.<a id=\"_ftnref4\" class=\"nota\" href=\"#_ftn4\"><sup>[4]<\/sup><\/a>Urte batzuk lehenago, aurrerago Ikerketa eta Esperientzia Zinematografikoen Institutua [Instituto de Investigaciones y Experiencias Cinematogr\u00e1ficas (IIEC)] sortu zuten beste pertsona batzuekin batera, L\u00f3pez Clemente kritikoa izan zen 1940ko hamarkadaren hasieran sortu zen\u00a0<em>Cine Experimental<\/em>\u00a0Espainiako lehen abangoardiako zinema-aldizkarian. Berrizendatutako EOC-en zinema dokumentaleko eskolak eman zituen eta, gainera,\u00a0<em>Film Culture<\/em>\u00a0aldizkariko hainbat zenbakitan erredaktore izan zen. Clementek gorpuzten duen figura poliedriko horrek, azken buruan, Zinemaldiko Hautaketa Batzordeari proposatu zion P. Adams Sitneyk komisariatutako zikloa Donostiara ekartzea.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ebfdd94 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ebfdd94\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-31d9634\" data-id=\"31d9634\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-840ed7c elementor-widget elementor-widget-image\" data-id=\"840ed7c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_006.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Jos\u00e9 L\u00f3pez Clemente irudiaren erdigunean betaurrekoak jantzita, Miguel de Echarri Zinemaldiko zuzendariarekin eta Felipe de Ugarte Lurralde Ordezkariarekin batera, besteak beste. Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMDQsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDA2LmpwZyJ9\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"836\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_006-980x1024.jpg\" class=\"attachment-large size-large wp-image-46104\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_006-980x1024.jpg 980w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_006-287x300.jpg 287w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_006-768x802.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_006.jpg 1278w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Jos\u00e9 L\u00f3pez Clemente irudiaren erdigunean betaurrekoak jantzita, Miguel de Echarri Zinemaldiko zuzendariarekin eta Felipe de Ugarte Lurralde Ordezkariarekin batera, besteak beste. Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-79c2055 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"79c2055\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1bd048c\" data-id=\"1bd048c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-37126c0 elementor-widget elementor-widget-text-editor\" data-id=\"37126c0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>1968ko urtarrilean, L\u00f3pez Clemente lehen aldiz sartu zen Donostia Zinemaldiko Hautaketa Batzordean, Miguel de Echarri Zinemaldiaren orduko zuzendariak gonbidatuta. Honako hau bien artean izandako lehen korrespondentzia da.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a97ddeb alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a97ddeb\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-62e5f2d\" data-id=\"62e5f2d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c581e5e elementor-widget elementor-widget-image\" data-id=\"c581e5e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Miguel de Echarri Zinemaldiko zuzendariaren gutuna Jos\u00e9 L\u00f3pez Clementeri (1968ko urtarrilaren 19a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMDcsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDA3LXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"779\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-779x1024.jpg\" class=\"attachment-large size-large wp-image-46107\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-779x1024.jpg 779w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-228x300.jpg 228w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-768x1009.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-1169x1536.jpg 1169w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-1558x2048.jpg 1558w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_007-scaled.jpg 1948w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Miguel de Echarri Zinemaldiko zuzendariaren gutuna Jos\u00e9 L\u00f3pez Clementeri (1968ko urtarrilaren 19a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-87e495d\" data-id=\"87e495d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-386ed19 elementor-widget elementor-widget-image\" data-id=\"386ed19\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_008.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Jos\u00e9 L\u00f3pez Clementeren erantzun-gutuna Miguel de Echarri Zinemaldiko zuzendariari (1968ko urtarrilaren 26a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMTAsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDA4LmpwZyJ9\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"582\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_008-1024x745.jpg\" class=\"attachment-large size-large wp-image-46110\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_008-1024x745.jpg 1024w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_008-300x218.jpg 300w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_008-768x559.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_008-1536x1117.jpg 1536w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_008-2048x1490.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Jos\u00e9 L\u00f3pez Clementeren erantzun-gutuna Miguel de Echarri Zinemaldiko zuzendariari (1968ko urtarrilaren 26a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7e9f62e alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7e9f62e\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2542e8e\" data-id=\"2542e8e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a217291 elementor-widget elementor-widget-text-editor\" data-id=\"a217291\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>L\u00f3pez Clemente sartu eta hiru hilabetera, Batzorde Betearazlearen bilera-aktetako batean \u2013artxiboak dituenetako bat da\u2013 jasotzen dira Atzerabegirakoa sailerako proposatutako zikloarekin izan daitezkeen arazoen lehen zantzuak.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6585555 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6585555\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-d070916\" data-id=\"d070916\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7dfd1bb elementor-widget elementor-widget-image\" data-id=\"7dfd1bb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Donostia Zinemaldiaren Batzorde Betearazleak igorritako aktaren lehen orrialdea (1968ko apirilaren 16a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMTMsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDA5LjAxLXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"753\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-753x1024.jpg\" class=\"attachment-large size-large wp-image-46113\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-753x1024.jpg 753w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-221x300.jpg 221w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-768x1044.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-1130x1536.jpg 1130w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-1506x2048.jpg 1506w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.01-scaled.jpg 1883w\" sizes=\"(max-width: 753px) 100vw, 753px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Donostia Zinemaldiaren Batzorde Betearazleak igorritako aktaren lehen orrialdea (1968ko apirilaren 16a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-596c658\" data-id=\"596c658\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-28feb7e elementor-widget elementor-widget-image\" data-id=\"28feb7e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Donostia Zinemaldiaren Batzorde Betearazleak igorritako aktaren bigarren orrialdea (1968ko apirilaren 16a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMTYsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDA5LjAyLXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-744x1024.jpg\" class=\"attachment-large size-large wp-image-46116\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-744x1024.jpg 744w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-218x300.jpg 218w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-768x1057.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-1116x1536.jpg 1116w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-1488x2048.jpg 1488w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_009.02-scaled.jpg 1859w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Donostia Zinemaldiaren Batzorde Betearazleak igorritako aktaren bigarren orrialdea (1968ko apirilaren 16a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1314cc4 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1314cc4\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-804c3e2\" data-id=\"804c3e2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-92204c3 elementor-widget elementor-widget-text-editor\" data-id=\"92204c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>Uztailaren 6an, Zinemaldiaren hamaseigarren edizioaren lehen egunean, Donostian lurreratu aurretik, P. Adams Sitney, filmen latak dozena bat maletatan sakabanatuta zeramatzala, Italian, Jugoslavian, Suitzan, Austrian, Alemaniako Errepublika Federalean, Frantzian, Holandan, Suedian, Norvegian, Finlandian, Danimarkan eta Ingalaterran ibili zen, eta kontinenteko zinema esperimentaleko jaialdi garrantzitsuenetako batzuetan parte hartu zuen, hala nola Torinon, Pesaron eta Knokke-Le Zouten.\u00a0Bitakora-koaderno gisa, Sitneyk artikulu batzuk utzi zituen idatzita,\u00a0<em>Film Culture<\/em>\u00a0aldizkariaren 46. zenbakian argitaratu zirenak; Europako geldialdi bakoitzari buruzko gogoeta teorikoak, ideiak eta iritzi pertsonalak jasotzen zituzten.<\/p>\n\n<p>Artikulu sorta hori, Donostia Zinemaldiren\u00a0<em>Festival<\/em>\u00a0aldizkaria eta prentsa-artxiboko iturriak oinarri hartuta,\u00a0<a href=\"https:\/\/docs.google.com\/spreadsheets\/d\/1f0r_wZ9x30-Z6uUANhwpQfKfXQOFx9Gr4QS3w78amAQ\/edit#gid=546777035\" target=\"_blank\" rel=\"noopener\">xehetasunez berreraiki da Europako bigarren biraren mapa<\/a>. Datu horiei esker argia egiaztatu ahal izan da kontinentean zehar bidaiatu zuten filmen kopuruaren eta zentsura frankista gainditu ondoren Donostia Zinemaldian programatu ziren film gutxien arteko desoreka.\u00a0<\/p>\n\n<p>Donostia 68 garrantzitsua da, zalantzarik gabe, Europako mapa honetan, Adams Sitneyk New Yorkera itzultzea erabaki baino lehen egin zuen azken geldialdia delako. Kontsultatutako literatura ikusita, Gipuzkoako hiriburuko geldialdiak ez du inoiz interes berezirik piztu Europako birari buruz egin diren nazioarteko ikerketa urrietan. Hala ere, Donostiak irteera-portu gisa jokatu zuen papera adierazgarria da.<\/p>\n\n<p>Adams Sitneyren testigantzaren arabera, Donostiako publikoari aurkeztu nahi zizkion filmen aukeraketa \u2013hiriz hiri programak aldatzeko ohitura zuen\u2013 Gobernuaren Ordezkaritzaren aginduz konfiskatu zen, hirira iritsi bezain laster.\u00a0<\/p>\n\n<blockquote>\n<p>There was a small office near the festival hall where all the films were kept. The office was maintained by uniformed police&#8212; I believed they were armed but my memory is unsecure on that point. I had to retrieve all films from that office for any screening. They would not release censored films to me. I always assumed the government censored them but I had only minimal contact with Film Festival authorities who were preoccupied with celebrities (such as Sidney Poitier).<a id=\"_ftnref5\" class=\"nota\" href=\"#_ftn5\"><sup>[5]<\/sup><\/a><\/p>\n<\/blockquote>\n\n<p>Kontsultatutako prentsa-artxiboko iturrietatik ondorioztatu denez, konfiskazioaren ondoren, Hautaketa Batzordea \u2013L\u00f3pez Clementek eta F\u00e9lix Martialay kazetari eta militarrak ordezkatuta\u2013 arduratu zen Sitneyk hautatutako metraje-orduak ikusteaz.<a id=\"_ftnref6\" class=\"nota\" href=\"#_ftn6\"><sup>[6]<\/sup><\/a>\u00a0Bestalde, Batzorde Betearazleak lehenago ere zikloak ekar zitzakeen arazoez ohartarazi zuen eta berrikuspenean parte hartu zuen, helburu argi batekin: modu publikoan zer aurkeztuko zen eta zer ez erabakitzea. Adams Sitneyren hitzetan:<\/p>\n\n<blockquote>\n<p>In San Sebastian we were just a decoration at the edge of a festival and the Franco government insisted on pre-screening every film first. Wouldn&#8217;t allow Brakhage&#8217;s films to be shown because of nudity, so this was pretty awful.<a id=\"_ftnref7\" class=\"nota\" href=\"#_ftn7\"><sup>[7]<\/sup><\/a>\u00a0\u00a0<\/p>\n<\/blockquote>\n\n<p>Zinemaldian, atzera begirako zikloko filmak azpititulurik eta itzulpenik gabe proiektatu ziren, eta, bertaratutako batzuek desengainua hartu zuten. Zenbait kazetarik azaldu zutenez, lehen saioak jende gaztez beteta egon baziren ere, pixkanaka ikusleen interesa galtzen joan ziren.\u00a0<\/p>\n\n<p>Zinemaldiaren edizio hartan parte hartu zuten berriemaile gehienek ia ez zuten New American Cinemako programari buruzko informaziorik eman. Zikloaren aipamenak urriak izan ziren, eta askotan hedabideak Zinemaldiak berak emandako informazio-buletina errepikatzera mugatu ziren. Hala ere, zenbait artikuluk zuzenean adierazi zuten zikloak jasandako zentsura, bai aurkeztu aurretik bai zikloak iraun bitartean egindakoa.\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b64f50a alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b64f50a\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-c0b564b\" data-id=\"c0b564b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-54cbcc1 elementor-widget elementor-widget-image\" data-id=\"54cbcc1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Luis Gasca, &quot;Cine Underground&quot;, Fotogramas (1968ko abuztuaren 9a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMTksInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDExLjAxLmpwZyJ9\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01-744x1024.jpg\" class=\"attachment-large size-large wp-image-46119\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01-744x1024.jpg 744w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01-218x300.jpg 218w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01-768x1057.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01-1116x1536.jpg 1116w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01-1487x2048.jpg 1487w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.01.jpg 1698w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Luis Gasca, \"Cine Underground\", Fotogramas (1968ko abuztuaren 9a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-4a50d54\" data-id=\"4a50d54\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0559547 elementor-widget elementor-widget-image\" data-id=\"0559547\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Luis Gasca, &quot;Cine Underground&quot;, Fotogramas (1968ko abuztuaren 9a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMjIsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDExLjAyLmpwZyJ9\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02-744x1024.jpg\" class=\"attachment-large size-large wp-image-46122\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02-744x1024.jpg 744w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02-218x300.jpg 218w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02-768x1057.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02-1116x1536.jpg 1116w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02-1487x2048.jpg 1487w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_011.02.jpg 1698w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Luis Gasca, \"Cine Underground\", Fotogramas (1968ko abuztuaren 9a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8d8700a alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8d8700a\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1b20e21\" data-id=\"1b20e21\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5912dd5 elementor-widget elementor-widget-image\" data-id=\"5912dd5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_012.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Luis Mamerto, &quot;El festival cinematogfr\u00e1fico de San Sebasti\u00e1n&quot;, Sur (1968ko uztailaren 28a). P.1968.ESP.A-M prentsa txostena, Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMjUsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDEyLmpwZyJ9\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"581\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_012-1024x744.jpg\" class=\"attachment-large size-large wp-image-46125\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_012-1024x744.jpg 1024w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_012-300x218.jpg 300w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_012-768x558.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_012-1536x1116.jpg 1536w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_012-2048x1487.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Luis Mamerto, \"El festival cinematogfr\u00e1fico de San Sebasti\u00e1n\", Sur (1968ko uztailaren 28a). P.1968.ESP.A-M prentsa txostena, Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-7066fad\" data-id=\"7066fad\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-29bb048 elementor-widget elementor-widget-image\" data-id=\"29bb048\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Mr. Belvedere, &quot;Un final conformista para un Festival apacible&quot;, Fotogramas (1968ko uztailaren 26a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMjgsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDEzLmpwZyJ9\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013-744x1024.jpg\" class=\"attachment-large size-large wp-image-46128\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013-744x1024.jpg 744w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013-218x300.jpg 218w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013-768x1057.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013-1116x1536.jpg 1116w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013-1487x2048.jpg 1487w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_013.jpg 1698w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Mr. Belvedere, \"Un final conformista para un Festival apacible\", Fotogramas (1968ko uztailaren 26a). P.1968.BCN.B-T prentsa txostena, Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-53972a3 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"53972a3\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7ec64b3\" data-id=\"7ec64b3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-09d7398 elementor-widget elementor-widget-text-editor\" data-id=\"09d7398\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>Adams Sitneyk baieztatu du berak erabaki zuela atzerabegirakoa etetzea aurreikusitako saio guztiak egin aurretik, eta saio bakoitzaren aurkezpenean saioak jasandako zentsura-etenak komentatzeaz arduratzen zen pertsona bera zela (Luis Mamerto kazetariak\u00a0<em>Sur<\/em>\u00a0aldizkarian argitaratutako artikuluan \u00abkuakero hippy\u00bb gisa deskribatzen du). Eta gehitu du:<\/p>\n\n<blockquote>\n<p>I may have had to preselect films when I was told what would never pass censorship. Had I known of it in advance, I never would have agreed to appear in San Sebastian. They sprung that on me after I arrived with the films.<a id=\"_ftnref8\" class=\"nota\" href=\"#_ftn8\"><sup>[8]<\/sup><\/a><\/p>\n<\/blockquote>\n\n<p>Aurreko kronograman erakutsitako film guztiak Sitneyrekin batera bidaiatu zuten Europan zehar. Gipuzkoako hiriburua kontinentea utzi aurreko azken geltokia zenez, hipotesi bat dago: Sitneyk erakusteko arazo handiena ekarriko zioten filmak ekarri zituen Donostiara, bere ekipaje pertsonalean; horietako batzuk Europako beste hiri batzuetan zentsuratu zituzten, bai eta New York hirian ere.<\/p>\n\n<p>Gutxienez, Zinemaldiko artxiboan gordetako administrazio-dokumentu batzuek, hala nola aseguru-ziurtagiriek, fakturek edo aduanetako dokumentuek, zenbakien arteko desoreka erakusten dute: eman zirenak eta are bide ofizialetatik aduana-barrutira sartu zirenak baino film gehiago atera ziren Donostiatik.\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3dfaff7 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3dfaff7\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-c83d5ac\" data-id=\"c83d5ac\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-02ff8fc elementor-widget elementor-widget-image\" data-id=\"02ff8fc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"La Polar Aseguru Sozietate Anonimoaren aseguru-ziurtagiria (1968ko uztailaren 2a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMzEsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDE0LXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"732\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-732x1024.jpg\" class=\"attachment-large size-large wp-image-46131\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-732x1024.jpg 732w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-215x300.jpg 215w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-768x1074.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-1098x1536.jpg 1098w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-1464x2048.jpg 1464w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_014-scaled.jpg 1831w\" sizes=\"(max-width: 732px) 100vw, 732px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">La Polar Aseguru Sozietate Anonimoaren aseguru-ziurtagiria (1968ko uztailaren 2a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-6ab2968\" data-id=\"6ab2968\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1837599 elementor-widget elementor-widget-image\" data-id=\"1837599\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Madriletik, Donostia Zinemaldiko Administrazio Zerbitzuen eta Ostatuen arduraduna Pilar Olascoagari bidalitako faktura (1968ko uztailaren 4a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMzQsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDE1LXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-744x1024.jpg\" class=\"attachment-large size-large wp-image-46134\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-744x1024.jpg 744w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-218x300.jpg 218w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-768x1057.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-1116x1536.jpg 1116w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-1488x2048.jpg 1488w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_015-scaled.jpg 1859w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Madriletik, Donostia Zinemaldiko Administrazio Zerbitzuen eta Ostatuen arduraduna Pilar Olascoagari bidalitako faktura (1968ko uztailaren 4a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ec3258a alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ec3258a\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-b61e657\" data-id=\"b61e657\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7e7464c elementor-widget elementor-widget-image\" data-id=\"7e7464c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"New American Cinema zikloaren filmei buruzko aduana txostena, Informazio eta Turismo Ministerioaren Gipuzkoako Lurralde Ordezkaritzak igorrita (1968ko uztailaren 26a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxMzcsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDE2LXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"753\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-753x1024.jpg\" class=\"attachment-large size-large wp-image-46137\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-753x1024.jpg 753w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-221x300.jpg 221w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-768x1044.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-1130x1536.jpg 1130w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-1506x2048.jpg 1506w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_016-scaled.jpg 1883w\" sizes=\"(max-width: 753px) 100vw, 753px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">New American Cinema zikloaren filmei buruzko aduana txostena, Informazio eta Turismo Ministerioaren Gipuzkoako Lurralde Ordezkaritzak igorrita (1968ko uztailaren 26a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-a3c1071\" data-id=\"a3c1071\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8510138 elementor-widget elementor-widget-image\" data-id=\"8510138\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Ferrer y Compa\u00f1\u00eda nazioarteko garraio-enpresaren telegrama (1968ko irailaren 9a). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxNDAsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDE3LXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"784\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-784x1024.jpg\" class=\"attachment-large size-large wp-image-46140\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-784x1024.jpg 784w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-230x300.jpg 230w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-768x1003.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-1176x1536.jpg 1176w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-1568x2048.jpg 1568w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_017-scaled.jpg 1959w\" sizes=\"(max-width: 784px) 100vw, 784px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Ferrer y Compa\u00f1\u00eda nazioarteko garraio-enpresaren telegrama (1968ko irailaren 9a). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2d9b03c alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2d9b03c\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-359be62\" data-id=\"359be62\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ceaf1e4 elementor-widget elementor-widget-text-editor\" data-id=\"ceaf1e4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p><em>Film Culture<\/em>\u00a0aldizkarian argitaratutako artikuluetan, Adams Sitneyk adierazten du Europako beste geldialdietan hoteletako logeletan saio klandestinoak antolatzen zituela, konfiantzazko eta lanbideko lankideekin. Saio horietan, zirkuitutik kanpo geratzen ziren film \u00abproblematiko\u00bb batzuk erakusten zituen. Izan ere, ez litzateke zentzugabea izango imajinatzea, Donostia bere azken geltokia izanik, Sitneyk kargamentu handiago bat eskatuko ziola Zinemaldiari, bere ardurapean zituen filmak New Yorkera bidaltzeko. Aldi berean, zaila da eszena posible bat ez imajinatzea: Antolatu al zuen ezkutuko saio horietakoren bat Adams Sitneyk Donostian egon zenean? Ikusi al ziren irudi debekatu horiek Zinemalditik kanpoko espazioetan, erregimenaren kontroletik at?<\/p>\n\n\n\n<p>Nolanahi ere, zalantzarik gabe, erabakigarria izan zen Donostiak Adams Sitneyk Europan zehar egin zuen bigarren bidaian zituen film guztien irteera-portu gisa jokatu zuen rola. Honako hau newyorktarrak idatzitako gutun bat da. Bertan, Gipuzkoako hiriburua utzi baino ordu batzuk lehenago, Zinemaldiak kontratatutako garraio- eta mezularitza-enpresari bere film gordeetako baten izenburua aldatzeko eskatzen dio, herrialdetik atera eta oharkabean New Yorken sartu ahal izateko.\u00a0<em>Flaming Creatures<\/em>\u00a0(Jack Smith, 1963) zen film hori. Arazoak ekarri zizkion Europan eta, gainera, Estatu Batuetan zentsuratuta zegoen estreinatu zenetik. Bere jarraibideetan, Sitneyk filmaren izena Suedian zehar bidaiatzen ari zenean galdu zuen beste film baten izenarekin ordezkatzea eskatu zuen.<a id=\"_ftnref9\" class=\"nota\" href=\"#_ftn9\"><sup>[9]<\/sup><\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7c6ef7f alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7c6ef7f\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-731219b\" data-id=\"731219b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b9f79ce elementor-widget elementor-widget-image\" data-id=\"b9f79ce\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-description=\"Ferrer y Compa\u00f1\u00eda nazioarteko garraio-enpresarentzat P. Adams Sitney-ek eskuz idatzitako oharra (1968). Donostia Zinemaldiaren Artxiboa\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NDYxNDMsInVybCI6Imh0dHBzOlwvXC9hcnR4aWJvYS5zYW5zZWJhc3RpYW5mZXN0aXZhbC5jb21cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjJcLzExXC9oaXN0b3JpYWtfMDhfMDE4LXNjYWxlZC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"795\" height=\"1024\" src=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-795x1024.jpg\" class=\"attachment-large size-large wp-image-46143\" alt=\"\" srcset=\"https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-795x1024.jpg 795w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-233x300.jpg 233w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-768x990.jpg 768w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-1192x1536.jpg 1192w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-1590x2048.jpg 1590w, https:\/\/artxiboa.sansebastianfestival.com\/wp-content\/uploads\/2022\/11\/historiak_08_018-scaled.jpg 1987w\" sizes=\"(max-width: 795px) 100vw, 795px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Ferrer y Compa\u00f1\u00eda nazioarteko garraio-enpresarentzat P. Adams Sitney-ek eskuz idatzitako oharra (1968). Donostia Zinemaldiaren Artxiboa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-785b040 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"785b040\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a736d30\" data-id=\"a736d30\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-28628d5 elementor-widget elementor-widget-text-editor\" data-id=\"28628d5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p>New American Cinemako film madarikatu hau Estatu Batuetako abangoardiako zinemaren testuinguruan dauden jarrera etiko-politikoen paradigmatikoa da. Smithen filma 300 dolarrekin baino ez zen egin, eta 1963ko apirilaren 29an estreinatu zen New Yorkeko Bleecker Street Cineman. Filma nolabaiteko ikusgarritasuna izaten hasi zenean, poliziak antolatzaileak atxilotu zituen ondorengo emanaldietan, jokabide immorala argudiatuz. Filmak, Adams Sitneyrekin batera, Europara jauzi egin zuenean, Belgikara joan zen, Knokke-Le Zouteko (EXPRMNTL) zinema esperimentalaren jaialdiaren 1963ko edizio eztabaidagarri eta problematikora. Liskar biolentoak egon ziren\u00a0<em>Flaming Creatures<\/em>\u00a0filmaren emanaldian, zentsuratzen saiatu baitziren, eta Belgikako Justiziako ministroa bera hor tartean egon zen. Hori horrela, filma modu klandestinoan baino ez zen erakutsi hotel bateko logelan, zikloaren jarraitzaile leialenentzat.\u00a0Pasarte hori testuinguruan kokatu zuen Jonas Mekasek bere\u00a0<em>Diario de cine<\/em>n:\u00a0<\/p>\n\n<blockquote>\n<p>Knokke-Le Zouteko gure ekintzetan (Barbara Rubin, Paul Adams Sitney eta hiruon ekintzetan) eragina izan zuten edozein film edo adierazpen estetiko ezabatzearekiko genituen sentimenduek. Gure prentsaurrekoan, beste batzuetan bezala, argi eta garbi esan genuen ginela film zehatz honen alde borrokatzen ari, adierazpen askearen printzipioen alde baizik.<a id=\"_ftnref10\" class=\"nota\" href=\"#_ftn10\"><sup>[10]<\/sup><\/a><\/p>\n<\/blockquote>\n\n<p><em>Flaming Creatures<\/em>, horrela, New American Cinemako zikloa osatu zuten lanek jasan zuten zentsuraren isla da. Taldearen manifestuaren indarguneetako batek, 1961eko udakoak, zentsura aurrez aurre arbuiatzen bazuen ere, zinematografia-praktika erradikalaren aldarrikapenak era guztietako mutilazioak jasan zituen: Smithen filma AEBetako zentsura moralaren lekuko izan zen lehen lerroan, Belgikan eskandalu bat jasan zuen eta, azkenean, Europatik irten zen, Donostiatik, filmak hirian sartu zirenetik zikloa mutilatu zuen Zinemaldian sortu zen operazio klandestino batean kamuflatua.<\/p>\n\n<p>Donostiatik irten ondoren, Sitney New Yorkera itzuli zen Anthology Film Archives<a id=\"_ftnref11\" class=\"nota\" href=\"#_ftn11\"><sup>[11]<\/sup><\/a>\u00a0proiektuaren kudeaketari ekiteko. Proiektua bi urte geroago inauguratu zen, 1970eko abenduaren 1ean.<\/p>\n\n<p>Hainbat hipotesik Europako bigarren biraren amaieraren arrazoia planteatzen dute. Alde batetik, Sitneyk adierazi zuen zikloak errentagarritasun ekonomiko txikia zekarkiela zinemagileei, ez baitzuten ordainsaririk jasotzen beren lanen proiekzioengatik. Komisarioari kontinentean zehar zikloa aurkeztu eta kanpora zabaltzeko aukera ematen zioten bidaietarako erabiltzen ziren baliabide urriak. Bestalde, Faye Corth\u00e9sy suitzar ikertzaile askoz interesgarriagoa den beste irakurketa bat egiten du, agian interes politikoko mapa zabalago bat marrazten duena: biraren amaiera abangoardia estatubatuar indibidualistago eta ez hain politizatuagoaren eta europarraren arteko tentsio ideologikoengatik gertatu zen. Europaren kasuan, film horiek Europako zinema berrien gaineko inposizio amerikar bat zirela argudiatuz zikloaren proiekzio ezberdinak sabotatzen zituen ezker iraultzaileari lotua.<a id=\"_ftnref12\" class=\"nota\" href=\"#_ftn12\"><sup>[12]<\/sup><\/a>1968ko Donostia Zinemaldiaren edizioak bere Sail Ofizialean aurreikuspenak modu aproblematikoan betetzen zituen programazio bat erakutsi zuen, inolako nabarmenkeria berritzailerik gabe,\u00a0<em>Ama Lur<\/em>\u00a0filmaren estreinaldiaren konplexutasunetik haratago. Bestalde, aurretik aipatutako Batzorde Betearazlearen aktako erregistroetan egiazta daitekeenez, New American Cinemaren zikloa, hasieran, antolatzaileek eurek definitu zuten, \u00abmunduan interes handia duen gai\u00bb gisa. Horrela, erregimenak herrialdea irekiera-aura batekin nazioartean kokatuko zuen modernitate eraldatzaile batez jabetu nahi zuen, eta atzerabegirakoa horren saio kosmetiko bat izan zen. Hala ere, proiektatutako irudiak talka jasanezin bat izan ziren diktaduraren egiturentzako. \u00abOposizio kontrolatu\u00bbaren paradoxa lehertu egin zen. New American Cinema mutilatu eta zentsuratu egin zuten frankismoaren ideologia nazional katolikoaren izenean.\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-53ac560 alinkV elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"53ac560\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7bd40bf\" data-id=\"7bd40bf\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-29f637d elementor-widget elementor-widget-text-editor\" data-id=\"29f637d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p><a id=\"_ftn1\" class=\"nota\" href=\"#_ftnref1\"><sup>[1]<\/sup><\/a>\u00a0Rom\u00e1n Gubern eta Dom\u00e8nec Font.\u00a0<em>Un cine para el cadalso<\/em>\u00a0(Bartzelona: Euros, 1975).<\/p>\n\n\n\n<p><a id=\"_ftn2\" class=\"nota\" href=\"#_ftnref2\"><sup>[2]<\/sup><\/a>\u00a0Roman Gubern.\u00a0<em>La censura. Funci\u00f3n pol\u00edtica y ordenamiento jur\u00eddico bajo el franquismo (1936-1975)<\/em>\u00a0(Bartzelona: Pen\u00ednsula, 1981), 211.<\/p>\n\n\n\n<p><a id=\"_ftn3\" class=\"nota\" href=\"#_ftnref3\"><sup>[3]<\/sup><\/a>\u00a0La sala de Arte y Ensayo fundada en San Sebasti\u00e1n en 1968 se llam\u00f3 Inesa de Gaxen y estuvo ubicada en el antiguo Kursaal. Dotada de quinientas butacas, se inaugur\u00f3 con un pase de\u00a0<em>Hiroshima, mon amour<\/em>\u00a0(Alain Resnais, 1959).<\/p>\n\n\n\n<p><a id=\"_ftn4\" class=\"nota\" href=\"#_ftnref4\"><sup>[4]<\/sup><\/a>\u00a0En palabras del historiador Vicente S\u00e1nchez-Biosca, quien lo conoci\u00f3 personalmente,\u00a0\u00a0&#8220;(&#8230;) puesto que [Clemente] era un hombre de izquierdas y en NO-DO no abundaba esta estirpe&#8221;. Comunicaci\u00f3n personal con Pablo La Parra P\u00e9rez (28 de octubre de 2020).<\/p>\n\n\n\n<p><a id=\"_ftn5\" class=\"nota\" href=\"#_ftnref5\"><sup>[5]<\/sup><\/a>\u00a0P. Adams Sitney, comunicaci\u00f3n personal con Irati Crespo y Diego Ginartes (26 de octubre de 2020).<\/p>\n\n\n\n<p><a id=\"_ftn6\" class=\"nota\" href=\"#_ftnref6\"><sup>[6]<\/sup><\/a>\u00a0En palabras del periodista Alfonso S\u00e1nchez: &#8220;Las m\u00e1s de treinta horas de films son visionados por los miembros del comit\u00e9 de selecci\u00f3n Martialay y Clemente&#8221;\u00a0<em>El Diario Vasco<\/em>, 9 de julio de 1968.<\/p>\n\n\n\n<p><a id=\"_ftn7\" class=\"nota\" href=\"#_ftnref7\"><sup>[7]<\/sup><\/a>\u00a0P. Adams Sitney, comunicaci\u00f3n personal con Mark Webber (3 de diciembre de 2007).<\/p>\n\n\n\n<p><a id=\"_ftn8\" class=\"nota\" href=\"#_ftnref8\"><sup>[8]<\/sup><\/a>\u00a0P. Adams Sitney, comunicaci\u00f3n personal con Mark Webber (13 de febrero de 2020).<\/p>\n\n\n\n<p><a id=\"_ftn9\" class=\"nota\" href=\"#_ftnref9\"><sup>[9]<\/sup><\/a>\u00a0En palabras de Adams Sitney: &#8220;While I was touring the universities of Uppsala, Lund and Gottenburg the most outrageous accident of the course of this exposition occured: our copy of\u00a0<em>Where did our love go<\/em>\u00a0was lost. I am not paranoid enough to believe that someone actually stole the film, but somehow it disappeared while on shipment and several eager searches have produced no trace of it&#8221;\u00a0<em>Film Culture\u00a0<\/em>n\u00ba46 (octubre de 1968), 30.<\/p>\n\n\n\n<p><a id=\"_ftn10\" class=\"nota\" href=\"#_ftnref10\"><sup>[10]<\/sup><\/a>\u00a0Jonas Mekas,\u00a0<em>Diario de Cine. El nacimiento del Nuevo Cine Norteamericano<\/em>\u00a0(Ciudad de M\u00e9xico: Mangos de Hacha, 2013), 136.<\/p>\n\n\n\n<p><a id=\"_ftn11\" class=\"nota\" href=\"#_ftnref11\"><sup>[11]<\/sup><\/a>\u00a0&#8220;Anthology Film Archives es el primer museo exclusivamente dedicado al cine como arte&#8221;. As\u00ed empezaba el manifiesto publicado por Anthology Film Archives con motivo de su apertura, el 1 de diciembre de 1970.<\/p>\n\n\n\n<p><a id=\"_ftn12\" class=\"nota\" href=\"#_ftnref12\"><sup>[12]<\/sup><\/a>\u00a0Faye Corth\u00e9sy, &#8220;Marginal Circulation of Marginal Films: The &#8220;Travelling Exhibitions&#8221; of New American Cinema in the 1960s&#8221; (University of Lausanne, 2018).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":46162,"template":"elementor_header_footer","firmas":[3039,3036],"tipologia":[],"tipos-de-investigaciones":[2830],"class_list":["post-46165","investigaciones","type-investigaciones","status-publish","has-post-thumbnail","hentry","firmas-diego-ginartes","firmas-irati-crespo","tipos-de-investigaciones-historiak-eu"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.0 (Yoast SEO v27.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abKuakero hippy\u00bb bat ZinemaldianNew American Cinema zikloa (1968) frankisten jomugan. - Artxiboa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artxiboa.sansebastianfestival.com\/eu\/ikerketak\/kuakero-hippy-bat-zinemaldian-new-american-cinema-zikloa-1968-frankisten-jomugan\/\" \/>\n<meta property=\"og:locale\" content=\"eu_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abKuakero hippy\u00bb bat ZinemaldianNew American Cinema zikloa (1968) frankisten jomugan.\" \/>\n<meta property=\"og:description\" content=\"\u00abKuakero hippy\u00bb bat ZinemaldianNew American Cinema zikloa (1968) frankisten jomugan. 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