{"id":44862,"date":"2022-11-15T10:39:02","date_gmt":"2022-11-15T09:39:02","guid":{"rendered":"https:\/\/artxiboa.sansebastianfestival.com\/documento-del-mes\/"},"modified":"2026-03-27T08:40:23","modified_gmt":"2026-03-27T07:40:23","slug":"document-of-the-month","status":"publish","type":"page","link":"https:\/\/artxiboa.sansebastianfestival.com\/en\/digital-collections\/document-of-the-month\/","title":{"rendered":"Document of the month"},"content":{"rendered":"\t\t
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On September 23, 2025, on the occasion of the out-of-competition premiere of Flores para Antonio<\/em> (Elena Molina, Isaki Lacuesta) in the Festival’s Official Section, the entire Flores family gathered in San Sebasti\u00e1n to pay tribute to the youngest member of the family, Antonio Flores, who died thirty years earlier, just fourteen days after his mother, the actress and singer Lola Flores, had passed away.<\/p>\n

The figure of the Flores family matriarch has been linked to the Festival practically since its foundation. Her first appearance in the event’s photographic record dates back to 1954. What is now considered the second edition of the San Sebasti\u00e1n Film Festival was, at that time, the first official edition, after being recognised by the International Federation of Film Producers Associations (FIAPF) as a Category B (non-competitive) international film festival, held between July 24th and 31st.<\/p>\n

In those early years, like most European festivals founded in the 1950s, a film festival was a complex diplomatic apparatus at the service of the State. Whilst it soon established itself as one of the most important cultural events for the regime, San Sebasti\u00e1n also became\u2014and continues to be\u2014a meeting spot for film professionals, journalists, and figures from the show business during the height of summer. During the early editions, contemporary reports emphasised the folkloric atmosphere surrounding the festival, in which film screenings were officially intertwined with social events and parallel activities, ranging from fashion shows and beauty contests to invitations to bullfights.<\/p>\n

In the item accompanying this month’s document, we see a young Lola Flores\u2014who had travelled to San Sebasti\u00e1n to present the closing film La danza de los deseos<\/em> (Flori\u00e1n Rey) \u2014 receiving a trophy after taking part in the pigeon shooting competition, held at the Hotel Gudamendi on Mount Igeldo and organised by the production companies “in honour of the leading figures of Spanish and foreign cinematographic art who gathered at the event”, as highlighted in a NO-DO Francoist newsreel in August 1954.<\/p>\n

The presence of Lola Flores in those early years of the festival, alongside figures such as Carmen Sevilla, Marujita D\u00edaz, Paquita Rico and later, Pepa Flores ‘Marisol’, helped to reinforce the projection of a particular image of the state abroad, where cinema, dance, folklore and popular figures served as the greatest showcase. Through the intersection of social events \u2013 which sometimes had little or nothing to do with cinema \u2013 and popular personalities from the entertainment world, the first years of the Festival were linked to a strong export of national identity beyond its borders.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photographs<\/div>\n
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The actress and singer Lola Flores receiving a trophy after attending the pigeon shooting<\/div>\n
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Identity statement area<\/div>\n
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ID:<\/span> 12458<\/span><\/div>\n
Catalogue number:<\/span> E0001<\/span><\/div>\n
Location:<\/span> C2C\/B6\/M3\/N4<\/span><\/div>\n
Title:<\/span> The actress and singer Lola Flores receiving a trophy after attending the pigeon shooting.<\/span><\/div>\n
Date:<\/span> 1954-07-31<\/span><\/div>\n
Level of description:<\/span> Simple documentary unit<\/span><\/div>\n<\/div>\n<\/div>\n

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Medium:<\/span> Paper<\/span><\/div>\n
Binder:<\/span> Gelatina<\/span><\/div>\n
Image-forming element:<\/span> Plata<\/span><\/div>\n
Colour:<\/span> B\/W<\/span><\/div>\n
Positive\/negative:<\/span> Positive<\/span><\/div>\n
Observations (technical description):<\/span> Papel Fujifilm<\/span><\/div>\n<\/div>\n<\/div>\n

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Context area<\/div>\n
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Producer:<\/span> San Sebastian International Film Festival<\/span><\/div>\n
Place:<\/span> Donostia-San Sebasti\u00e1n<\/span><\/div>\n
Immediate source of acquisition or transfer:<\/span> Producci\u00f3n propia<\/span><\/div>\n<\/div>\n<\/div>\n

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Content and structure area<\/div>\n
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Scope and content:<\/span> The actress and singer Lola Flores receiving a trophy after attending the pigeon shooting.<\/span><\/div>\n
Places:<\/span> Donostia-San Sebasti\u00e1n<\/a>, Gipuzkoa<\/a><\/span><\/div>\n
People:<\/span> Mar\u00eda Dolores Flores Ruiz (Lola Flores, La Faraona)<\/a><\/span><\/div>\n

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Themes:<\/span> Evento, Eventos<\/span><\/div>\n

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Inscriptions:<\/span> “1954” [Inscripci\u00f3n manuscrita en tinta negra, al verso de la copia]
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Conditions of access and use area<\/div>\n
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Conditions governing access:<\/span> Conditions governing access<\/a><\/span><\/div>\n
Conditions governing reproduction:<\/span> Conditions governing reproduction<\/a><\/span><\/div>\n
State of preservation:<\/span> Bueno<\/span><\/div>\n<\/div>\n<\/div>\n

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Digitalisation area<\/div>\n
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_Tama\u00f1o:<\/span> 64,50 MB<\/span><\/div>\n

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Width:<\/span> 3662 px<\/span><\/div>\n
Height:<\/span> 6141 px<\/span><\/div>\n
Date of creation:<\/span> 2022-11-04 14:19:20<\/span><\/div>\n
Reponsible for digitisation:<\/span> Niko Iturralde<\/span><\/div>\n<\/div>\n<\/div>\n

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Preservation:<\/span> Anna Ferrer, Andrea S\u00e1nchez, Lorena Soria<\/span><\/div>\n
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The actress and singer Lola Flores receiving a trophy after attending the pigeon shooting (1954) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Letter of refusal from director and actor Hans Alfredson to participate in the Festival following the death sentences of Antonio Garmendia and Angel Otaegui (1975) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Internal programming document relating to the retrospectives “Volver a nacer” and “Harry d’Abbadie d’Arrast” (1990) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Interview with the competition organisers prior to the 16th edition in 1968 (1968) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Fifth issue of the 38th edition of the Festival (1990) San Sebastian Festival Archive [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Official poster of the 7th edition (1959). San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from Luis Gasca to Jorge Luis Borges on the occasion of his participation in the round table discussion \u2018Latin American Literature and Cinema\u2019 (1981) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Poster of the “Chile” retrospective (1987). San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Actress Gina Lollobrigida presenting the San Sebastian Award for Best Female Performance to the distributor Procinor for “A Woman Under the Influence” (1975) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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The actress Josefa Flores Gonz\u00e1lez, better known as Marisol or Pepa Flores, at the Hotel Mar\u00eda Cristina (1960) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Anne Bancroft at the Victoria Eugenia Theatre’s boxes entrance during the presentation of the film “The Miracle Worker” (Arthur Penn) (1962) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from Nelly Kaplan to Francisco Ferrer on the invitation to the festival (1962) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Handwritten thank you note from Ren\u00e9 Clair (1959) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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First issue of the 25th edition of the Festival (1977) San Sebastian Festival Archive [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Portrait of director Valeria Sarmiento (1988) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Fax from Abbas Kiarostami to Diego Gal\u00e1n (1996) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from Nicholas Ray to Joaqu\u00edn Zabala (1965) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Regulations of the II Cartago International Film Festival (1968) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from Josefina Molina to the Festival organisers (1978) San Sebastian Festival Archive [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from Diego Gal\u00e1n to film director Jafar Panahi (1998) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Program for the 11th edition of the Festival International de Films de Femmes de Cr\u00e9teil et du Val de Marne (1989) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from Wolf Kochmann to Pilar Olascoaga on the death of Bette Davis (1989) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from Luis Bu\u00f1uel to the Mayor of San Sebasti\u00e1n Antonio Vega de Seoane (1960) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter sent by Antonio de Zulueta y Besson to the Cineclub Ir\u00fan accepting to collaborate with them (1960) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div>

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Letter from underground filmmaker Antoni Padr\u00f3s to Pilar Olascoaga (1977) San Sebastian Festival Archive. [+]<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/a><\/div><\/div><\/div>

<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

July 2023. Letter from Alfredo Guevara, Vice Minister of the Ministry of Culture of Cuba and founder of ICAIC, to Luis Gasca, Secretary General of the Festival<\/p>\n","protected":false},"author":1,"featured_media":53132,"parent":45048,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-44862","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nDocument of the month - Artxiboa<\/title>\n<meta name=\"description\" content=\"Poster of the II Cinematographic Training Week\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artxiboa.sansebastianfestival.com\/en\/digital-collections\/document-of-the-month\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Document of the month\" \/>\n<meta property=\"og:description\" content=\"January 2023 - 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